This is the definitive visual account of the gay liberation movement in New York, following the Stonewall uprising in Greenwich Village in 1969, an event that marked the coming-out of New York's gay community. As a direct outcome of Stonewall, gay pride marches were held in 1970 in San Francisco, Los Angeles, and New York. Fifty years later Pride will be celebrated in thousands of cities across the world. Including more than 190 photographs by Fred W. McDarrah chronicling the movement in all its glory, the book includes reflective essays by major figures such as Alan Ginsbery, Hilton Als and Sir Ian McKellan.

The writings of six choreographers are assembled in this book and the leap they have taken to go from the medium of choreography into written text constitutes a form of translation. Some of the texts investigate the possibilities of written language as invention, others use it as a means to illustrate specific tenets or describe choreographic projects. All yield insight into the process of coaxing language from the body.

The writings of six choreographers are assembled in this book and the leap they have taken to go from the medium of choreography into written text constitutes a form of translation. Some of the texts investigate the possibilities of written language as invention, others use it as a means to illustrate specific tenets or describe choreographic projects. All yield insight into the process of coaxing language from the body.

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The carillon, a tower instrument, and the largest musical instrument in the world, is for the first time brought to the general reading public. With England's Child, Jill Johnston has written a book of compelling subject matter, extraordinary writing, at once scholarly and personal. A portrait of the author's enterprising father, bellfounder Cyril Johnston, one of two Englishmen who introduced the carillon to North America in the early 20th century, puts a personal gloss on this tantalizingly unknown instrument. The author has intertwined her circumstances and motivations in writing the book, leading inevitably to her investigations of the bells that were cast for worldwide markets by her father.Anyone listening to classical music has probably heard his bells in the enduring Mercury recording of Tchaikovsky's 1812 Overture.